Quando Hollywood Parlava Tedesco by Umberto Calamita (written in Italian)

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“All of this is the story of the world of Hollywood cinema, and the tempo of Nazism and the Second World War: from one side of the fuoriusciti of the Central Europe in flight from the Nazi barbarism, from the other side it is stable with the Germania of Hitler from the side of the Alcune of the Majors at the end 1941-42 in the appetite of the cinema production market. Perhaps it is useful, in this dispute, from 1936, from the Olympiad of Berlin (not born in the USA, born in Britain or in France), he was a salute to the hand, proud, he won the 4th gold medal in athletics, the African American Jesse Owens. The stature of this campaign, tornato in patria and invited to Washington, did not find President Roosevelt, impegnato nella electoral campaign, ad accoglierlo. L'inquilino della Casa bianca preferred not to participate in the event. Everything you need to know about the denial of freedom of expression is produced and handled by Hollywood style across the label "Codice Hays" in the 1930s, published in late 1930s. Not only the censorship has conditioned the 'natural' scene of intimacy, of love and of eroticism, my costretto gli autori has mostrare didascalicamente and pedissequamente una aprioristica 'giustizia' ed un presunto 'bene' sempre trionfanti. All this to say about the "caccia all the streghe" scatenata dalla Commissione per la Attività Antiamericane e d'a senatore Joseph McCarthy, che fece piazza pulita, atraverso delazioni, sospetti e clima d'isteria, di una larga fetta di autori libertari e progressiveisti hollywoodiani, tra cui un buon numero di quegli immigrati mitteleuropei che avevano visto negli USA una seconda terra d’elezione” (Umberto Calamita)